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The CRANE 3S Handheld Stabilizer from Zhiyun-Tech is a powerful redesign of previous Zhiyun gimbals with the addition of detachable handle options, more powerful motors with a large 14.3 lb payload, an updated axis-locking system, external power input, and the ViaTouch 2.0 remote control system. The 55° angled roll axis allows you to fit your camera without blocking the view, and it is also modular so you can add an included extension arm to fit larger cameras. The CRANE 3S features an angled, ergonomic handle that provides two-handed operation for optimal stability. The handle enables you to seamlessly switch to underslung mode, whether with one or two hands, and achieve creative shots such as 330° roll shots as you move closer toward a subject. It also has numerous advanced features such as remote control of camera record/stop/shutter using the included cables, an improved zoom and focus system from its predecessor the CRANE 3 LAB, and compatibility with the separately available Transmount Image Transmission System for wireless video transmission. It can also accommodate a wide range of camera sizes by utilizing a separately available extension module to extend the horizontal arm.
The Blackmagic Design Pocket Cinema Camera 4K features a 4/3" sensor for capturing up to 4096 x 2160 DCI 4K images at rates up to 75 fps in a variety of codecs including Blackmagic Raw at several bit rates and various ProRes 422 options. With the 6.6 update, the BMPCC 4K now offers up to 80 fps in a 2.8K raw mode for 4:3 anamorphic and up to 75 fps in a 4K raw mode in 2.4:1 widescreen. A 2x de-squeeze preview is available for 4:3 recording as well as a 1.33x de-squeeze option. Slow-motion rates up to 120 fps are available in 2.6K raw for Super16 lenses and in cropped Full HD. The 6.6 update makes operating easier with support for the Pocket Battery Grip and a built-in horizon level function. Further 6.6 update features include support for additional languages, USB PTP control, customizable frame guides, an up to 8x pinch-to-zoom function, the ability to embed custom LUTs as metadata in Blackmagic Raw, and more.
Litepanels continues to expand and enhance their formidable LED line with the Astra 6X Bi-Color LED Panel, which is 6x the brightness of the original Bi-Color 1x1. The technological advancement and enhancement is evident in the high CRI and significantly increased brightness, due to the use of tightly-binned LEDs and fine-tuned TIR (Total Internal Reflection) optics, resulting in a longer throw over a wider field. As in previous versions of the 1x1 form factor, the Astra has variable tungsten to daylight color temperature with negligible color shift, 0-100% dimming. The Astra's functions may be adjusted locally using the intuitive built-in controls, or operated remotely with one of the optional DMX512 Modules, available in XLR 5-Pin, RJ-45, or Wireless formats. Each module provides Master/Replica configuration for the control of single lights, or multiple light fixtures in a network or daisy chain. In addition, the Astra Bluetooth module provides the same kind of control of single or multiple lights from a portable device, using the free Litepanels Smartlite app download. The accessory modules slide into place on the rear of the Astra panel simply and quickly, with no wiring or complex installation required.
The Canon CN-E 20mm T1.5 L F Cinema Prime Lens is a manual focus prime lens that covers Full Frame and Super 35 sensor formats. The lens offers a maximum aperture of T1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look. It has an 11-blade iris that provides round, out-of-focus highlights for a natural looking bokeh. The lens barrel features 300° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus. The lens features standard cine lens gears and is designed to minimize focus breathing and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It's dual focus, with markings on both sides of the barrel. The rear markings are on an angled surface, making it readable form either side of the camera. It also has a dust- and water-resistant housing to minimize maintenance during normal use.
Version 2 of the DJI Phantom 4 Pro includes all the same great features as the original Phantom 4 Pro and boasts several enhancements, including improved resolution for on-controller live-view streaming, enhanced connectivity, and more. Like the original, the Phantom 4 Pro Version 2 features a 3-axis-stabilized gimbal camera with a 20MP 1" CMOS sensor capable of shooting up to 4K60 fps video and photo bursts at up to 14 fps. It also utilizes the FlightAutonomy system, which includes dual rear-vision sensors and infrared sensing for a total of five directions of obstacle sensing and four directions of obstacle avoidance. Instead of Lightbridge, the Phantom 4 Pro Version 2 now uses Ocusync, which enables improved live video stream performance. Other notable enhancements include lighter props and reduced overall takeoff weight, wireless integration with DJI Goggles, and bolstered transmission power.
The Magnus VT-4000 Tripod System with Fluid Head is a stable, sturdy video tripod made from anodized aluminum that can support loads up to 8.8 lb. Overall, this tripod offers many features usually only found on more expensive models. The two-way fluid head provides smooth operation, and features a half-ball mount with a diameter of 65mm, with left and right pan bar mounts. It comes supplied with one pan bar. In addition, unlike most other heads in its class, all the head controls are positioned on the left side of the head, which leaves your right hand free for the panning handle. The VT-4000 tripod system weighs 7.9 lb.
Its 2-stage leg design allows you to adjust the height of the tripod from 27.6" to 59". A middle spreader and passive counterbalance provide enhanced stability to the entire system. The VT-4000 also has separate pan and tilt locks, and a bubble level for precision leveling. The fixed counter-balance spring incorporated in the head will help with smoother tilt movements. Its provided quick release plate features a standard 1/4"-20 mounting screw with a video pin, and has a sliding range of +20/-25mm - to enable travel capabilities - essential in balancing uneven configurations. The head's tilt angle is adjustable from +90° to -60°.
The American DJ Fog Fury 2000 is a 1100W portable high-output fog machine with advanced technology. The unit has a special heating element design that uses an oil-type transmission throughout the pipeline to prevent clogging, while the high-performance pump system provides optimum output. American DJ's Electronic Thermo-Sensing technology maintains optimum heat levels with no warm-up time between fog blasts. The Fog Fury 2000 also has convenient features such as an LED heating indicator system that changes colors depending on whether the fogger is heating up, ready to use, or if the fog fluid is low. The unit comes with a wired remote control with 25' cable and can be truss- or floor-mounted. This fogger produces 7000 cubic feet of fog per minute, has an external tank with a 0.7-gallon capacity, and has an 8-minute warm-up time. This machine uses water-based fog fluid only.
Blackmagic Design ups the ante in compact cine-style capture with their Super 35 sensor Pocket Cinema Camera 6K. Not only can the BMPCC 6K record up to 50 fps 6144 x 3456 video, but in a boon to lens connoisseurs everywhere, it features an active Canon EF mount, letting users take advantage of the expansive array of EF/EF-S–mount lenses available. Turn to the BMPCC 6K to turn one frame into two by cropping a second shot from one frame, to upscale to 8K, or to simply capture rich, detailed footage with your favorite EF/EF-S–mount lens. The same internal color processing makes it easy to intercut BMPCC 6K with BMPCC 4K footage. Record using the internal CFast 2.0 and SD/UHS-II card slots or output via the USB-C port to capture longer clips to an external drive. The BMPCC 6K includes a DaVinci Resolve Studio license and supports Blackmagic Raw capture from the sensor. Using the Raw format with the sensor's metadata simplifies editing to suit any project and makes editing easier with DaVinci Resolve.